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The Real Gaze: Film Theory after Lacan (SUNY series in Psychoanalysis and Culture)
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The Real Gaze: Film Theory after Lacan (SUNY series in Psychoanalysis and Culture)
A sophisticated rethinking of cinema’s importance and influence from the perspective of Lacanian psychoanalysis.
The Real Gaze: Film Theory after Lacan (SUNY series in Psychoanalysis and Culture)
Item #: 85524942

The Real Gaze: Film Theory after Lacan (SUNY series in Psychoanalysis and Culture)

Item #: 85524942

MMK 182789

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A sophisticated rethinking of cinema’s importance and influence from the perspective of Lacanian psychoanalysis.
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What Stands Out

Lacanian Insight
Explores Lacan’s psychoanalytic theories, offering a deep understanding of film and its relationship to the unconscious, enriching both film studies and psychoanalysis for scholars and students alike.
Critical Perspective
Provides a unique lens through which to analyze contemporary films, encouraging readers to challenge traditional interpretations and engage with culture on a more profound level.
Interdisciplinary Focus
Integrates psychoanalysis with film theory, appealing to a diverse audience from academia to casual film enthusiasts, enhancing critical thinking and stimulating discussions across disciplines.

Product Details

Shop The Real Gaze: Film Theory after Lacan (SUNY series in Psychoanalysis and Culture) online at a best price in Myanmar. 0791470407
Publisher State University of New York Press
Publication date January 3, 2008
Language English
Print length 266 pages
ISBN-10 0791470407
ISBN-13 978-0791470404
Item Weight 13.6 ounces (385.56 grams)
Dimensions 6 x 0.6 x 9 inches (15.2 x 1.5 x 22.9 cm)

Who Should Buy?

Suitable For
  • Film Scholars

    Academics analyzing film theory with an emphasis on psychoanalysis will find Lacan's insights invaluable.

  • Psychoanalytic Students

    Students of psychoanalysis looking to explore its application in film theory will benefit greatly.

  • Cultural Critics

    Critics exploring the intersection of psychoanalysis and culture in visual media will find this book essential.

Not Suitable For
  • General Readers

    Casual readers seeking light or mainstream interpretations of film may find this text too complex.

Product Description

The Real Gaze: Film Theory after Lacan (SUNY series in Psychoanalysis and Culture)

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Customer Questions & Answers

  • Question: What is 'The Real Gaze: Film Theory After Lacan' about?

    Answer: The book explores the fusion of film theory and psychoanalytic concepts, specifically through the lens of Lacanian thought. It delves into how images and cinematic narratives can be interpreted to uncover deeper psychological truths about desire, gaze, and the unconscious. By analyzing various films, it showcases how Lacan's theories can inform our understanding of cinematic experiences and perceptions. This is particularly relevant for students and scholars in the fields of film studies, psychoanalysis, and cultural theory.
  • Question: Who is the author of 'The Real Gaze: Film Theory After Lacan'?

    Answer: The author of this insightful work is the respected scholar in film theory and psychoanalysis, whose expertise brings a unique perspective to the convergence of these disciplines. Through their academic background and previous works, they build a compelling argument regarding the interplay between visual media and psychological analysis, making it an essential read for those interested in contemporary film critique and psychoanalytic theory.
  • Question: What themes are explored in the book?

    Answer: Key themes of 'The Real Gaze' include the concept of the gaze, the dynamics of desire, and the relationship between spectatorship and cinematic narrative. The text examines how Lacan's ideas can be applied to film, offering insights into the ways films reflect and shape our understanding of subjectivity and identity. This thematic exploration encourages readers to reconsider how they engage with visual media, enhancing both academic study and casual viewing experiences.
  • Question: Is this book suitable for beginners in film theory?

    Answer: While 'The Real Gaze' is grounded in complex psychoanalytic theory, it can be accessible to beginners who have a keen interest in film and psychology. The author provides a comprehensive framework for understanding Lacanian concepts in relation to film, making it a useful resource for students as well as enthusiasts. For those new to the subject, it may serve as a compelling introduction that invites deeper exploration into both film studies and psychoanalysis.
  • Question: How does Lacan's theory apply to contemporary cinema?

    Answer: Lacan's theory emphasizes the intricacies of desire and how it shapes human experience, which is reflected in contemporary cinema through the portrayal of characters and relationships. This book articulates how modern films embody Lacanian concepts, analyzing how narratives resonate with viewers' psychological states and societal dynamics. By understanding these connections, one can gain a richer appreciation for films and their emotional impacts, enhancing the viewing experience.
  • Question: Are there specific films analyzed in the book?

    Answer: Yes, 'The Real Gaze' includes detailed analyses of various films that exemplify Lacanian themes. The author selects films that depict notable characters and scenarios, providing vivid examples of the theories in action. This approach not only grounds theoretical concepts in accessible narratives but also prompts readers to reflect on their interpretations of these films, making it a practical guide for both educators and cinema lovers.
  • Question: How can 'The Real Gaze' be used in academic settings?

    Answer: This book serves as a valuable resource for courses on film theory, psychoanalysis, and cultural studies. Instructors can utilize its frameworks to facilitate discussions on the relationship between film and psychology, and its analyses may inspire research projects or essays focusing on related themes. By incorporating the text into curricula, educators can enhance students' critical thinking and analytical skills when it comes to visual media.
  • Question: What is meant by the 'gaze' in film theory?

    Answer: In film theory, the 'gaze' refers to the way viewers engage with visual content and the power dynamics at play within that interaction. Lacan's theory situates desire at the core of this concept, suggesting that how individuals watch and interpret films reveals their internal desires and societal influences. Understanding the gaze allows audiences to analyze their own viewing habits and reflect on how film shapes their perception of self and others.
  • Question: Can 'The Real Gaze' be useful for personal reflection?

    Answer: Absolutely! Readers can use 'The Real Gaze' not only for academic insights but also for personal reflection on how films resonate with their own experiences and desires. The text provides a framework that invites individuals to examine their emotional responses to movies, enhancing their enjoyment and understanding of cinematic storytelling. This reflective practice can lead to greater self-awareness and a deeper connection to the art of film.
  • Question: Where can I buy 'The Real Gaze: Film Theory After Lacan' in Myanmar?

    Answer: You can purchase 'The Real Gaze: Film Theory After Lacan' from Ubuy, a trusted e-commerce platform that offers a wide range of books. Ubuy provides a convenient shopping experience, making it easy to find and order the title from the comfort of your home. Check out Ubuy for various options and ensure that you get your copy of this significant work in film theory and psychoanalysis.

History & Criticism Editorial Review

The Real Gaze: Film Theory after Lacan (SUNY series in Psychoanalysis and Culture) offers an intriguing exploration into the intersection of film theory and psychoanalytic concepts, specifically through the lens of Lacanian thought. This book, published by the State University of New York Press on January 3, 2008, delves into complex themes surrounding gaze and representation within cinema. It spans 266 pages and is designed for readers interested in both film and psychoanalysis, making it a valuable addition for scholars and enthusiasts alike. The accessible writing style enhances its appeal, bringing advanced theoretical discussions to a broader audience.

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Pros

  • Engaging exploration of Lacanian film theory
  • Intriguing and thought-provoking content
  • Accessible writing style for broader audience
  • Comprehensive examination of gaze and representation
  • Well-structured with 266 informative pages

Cons

  • Some readers may find theoretical concepts challenging

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MMK 182789

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Features & Benefits

  • Explores the intersection of film theory and Lacanian psychoanalysis
  • Written by Todd McGowan, an Associate Professor of English at the University of Vermont
  • Deep dive into the role of cinema in shaping modern society
  • Provides a fresh and insightful perspective on the relationship between psychoanalysis and culture
  • Published by SUNY Press, a reputable academic publisher

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